Past Exhibition

  • Josh Smith

The American Dream

Greenwich, CT May 7th to September 16th, 2011

Josh Smith: The American Dream

The Brant Foundation Art Study Center is pleased to present The American Dream, an exhibition of new large-scale paintings and collages by New York-based artist Josh Smith.

Smith will transform The Brant Foundation into a temporary studio where he will spend thirty days producing new work for the forthcoming exhibition. This is an appropriate scenario for the artist, as his practice is largely visceral and spontaneous. In preparation for his show, Smith consulted Urs Fischer, the artist who previous exhibited at the foundation, and Julian Schnabel, who helped design the physical space, and has incorporated their input in his plans for the exhibition.

Josh Smith’s paintings are widely known for negotiating the concept of an artist’s “signature style,” as evidenced in works where his own name appears repeatedly both signified and abstracted. His paintings further explore the contentious relationship between abstraction and realism, challenging aesthetic dominance and re-contextualizing the mundane. Counterbalancing his body of work between the deliberate and deliberately random, Smith confronts the notion of compositions created entirely by chance.

Equally paramount to Smith’s practice are his collages, which mix ordinary found material such as newspapers with painting, silk-screen, and reproductions of his own work. Some recent collages consist entirely of printed images of his existing work. These works differ in that they play with scale and the printer’s color modulation feature, experimenting with developing infinite variations of the original images. Similar to his “name paintings,” the “subject” here is the critical potential of repetition and self- reference.

 

 

Artist Biography

Josh Smith

Josh Smith

 

Josh Smith (b. 1976) is from Knoxville, Tennessee and lives and works in Brooklyn.

The work of Josh Smith is distinguished by his mastery of multiple mediums (including painting, collage, sculpture, book and printmaking, and ceramics), and his tendency to acknowledge trends in painting and sculpture by expressly upending them. His most iconic works are paintings that boldly feature his name as their subject; in recent years, the name has given way to motifs such as leaves, fish, skeletons, insects, ghosts, and sunsets. In selecting these rather arbitrary subjects and rendering them in a manner that is by turns aggressive, playful, repetitive, and oblique, Smith compels us to move beyond aesthetics towards a focus on process and looking.

Josh Smith (b. 1976) is from Knoxville, Tennessee and lives and works in Brooklyn. He has had several solo exhibitions in the United States and abroad at institutions such as the Bonner Kunstverein, Bonn, Museo d’Arte Contemporanea Roma, Rome, The Brant Foundation, Greenwich, CT, Centre d’Art Contemporain Genève, Geneva, De Hallen Haarlem, Haarlem, and MUMOK, Vienna. He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles, Le Printemps de Septembre in Toulouse, ILLUMInations in the 2011 Venice Biennale, The Generational: Younger Than Jesus at the New Museum in New York, MoMA’s The Forever Now: Contemporary Painting in an Atemporal World, and most recently, Painting 2.0: Expression in the Information Age, which showed at the Museum Brandhorst, Munich, and traveled to MUMOK, Vienna. His works are in numerous public collections including the Centre Pompidou, Paris, MUMOK, Vienna, the Whitney Museum of American Art, New York, and the Museum of Modern Art, New York.

Visit Artist’s Website

(Courtesy Luhring Augustine Gallery)

SOLO

2017

Josh Smith, Standard (Oslo), Oslo, Norway

2016

Josh Smith, Bonner Kunstverein, Bonn, Germany / Josh Smith: Fishes, Xavier Hufkens, Brussels, Belgium

2015

Josh Smith, Galerie Eva Presenhuber, Zurich, Switzerland / Josh Smith, Museo d’Arte Contemporanea Roma, Rome, Italy / Josh Smith: Cold Fusion, Hiromi Yoshii Roppongi, Roppongi, Japan; Hiromi Yoshii Tokyo, Tokyo, Japan / Josh Smith: Sculpture, Luhring Augustine, New York, NY

2014

Josh Smith: Unsolved Mystery, Massimo De Carlo, Milan, Italy

2013

24 Hours, Galerie Eva Presenhuber, Zurich, SwitzerlandJosh Smith, Luhring Augustine Bushwick, New York, NYJosh Smith, Luhring Augustine, New York, NYJosh Smith, Standard (Oslo), Oslo, NorwayJosh Smith, Zabludowicz Collection, London, EnglandJosh Smith: Gauntlet of Life, Home Alone 2, New York, NY

2011

Josh Smith, Luhring Augustine, New York, NYJosh Smith: The American Dream, Brant Foundation Art Study Center, Greenwich, CT

2010

Josh Smith: On the Water, Deitch Studios, Long Island City, NYWho Am I, De Hallen Haarlem, Haarlem, The NetherlandsJosh Smith, Massimo De Carlo, Milan, Italy

2009

Centre d’Art Contemporain Genève, Geneva, SwitzerlandCurrents, Luhring Augustine, New York, NYJosh Smith: Paintings, Hiromi Yoshii Gallery, Tokyo, JapanI’m Not You, Air de Paris, Paris, FranceJosh Smith Books, Printed Matter, New York, NY

2008

Hidden Darts, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, AustriaJosh Smith / Josh Fish, Hard Hat, Geneva, SwitzerlandJosh Smith, Taxter & Spengemann, New York, NYJosh Smith: Collages, Galerie Catherine Bastide, Brussels, BelgiumJosh Smith: Zurich Abstraction, Galerie Eva Presenhuber, Zurich, SwitzerlandUnstable Ideas, Standard (Oslo), Oslo, Norway

2007

Abstraction, Luhring Augustine, New York, NYJosh Smith: Fortescue Avenue, Fortescue Avenue/Jonathan Viner Gallery, London, England

2006

Josh Smith, Skestos Gabriele Gallery, Chicago, ILThe city Never Sleeps, Air de Paris, Paris, FranceDial “J” for Josh, Power House, Memphis, TNJosh Smith, Galerie Catherine Bastide, Brussels, BelgiumJosh Smith, Susanne Hilberry, Ferndale, MIStandard Norwegian Show, Standard (Oslo), Oslo, Norway

2005

Josh Smith, Fortescue Avenue/Jonathan Viner Gallery, London, EnglandJosh Smith, Galerie Catherine Bastide, Brussels, BelgiumMake It Plain, Reena Spaulings Fine Art, New York, NYJosh Smith, SculptureCenter, Long Island City, Gallery NY

2004

Josh Smith, Reena Spaulings Fine Art, New York, NY

2003

Chinese Paintings, M Shanghai Bistro, New York, NYDial “J” for Josh, Margo Victor Presents, Los Angeles, CAJosh Smith, Galerie Catherine Bastide, Brussels, BelgiumJosh Smith, Volume Gallery, New York, NY

GROUP

2017

The Gap Between the Fridge and the Cooker, The Modern Institute, Glasgow, Scotland

Painting Paintings (David Reed) 1975, Gagosian Gallery, New York, NY

Animal Farm, The Brant Foundation, Greenwich, CT, curated by Sadie Laska

2016

Creature, The Broad, Los Angeles, CA

Fredrik Vaerslev: All Around Amateur, Bergen Kunsthall, Bergen, Norway; Le Consortium, Dijon, France

The Power & The Glory, Charles Riva Collection, Brussels, Belgium

Schiff Ahoy: Contemporary Art from the Brandhorst Collection, Museum Brandhorst, Munich, Germany

What’s My Name ?, Michel Majerus Estate, Berlin, Germany

2015

Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany

The World is Made of Stories: Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway

Beneath the Surface, de la Cruz Collection Contemporary Art Space, Miami, FL

Carte Blanche to Luhring Augustine, Galerie Patrick Seguin, Paris, France

CNTRL+P: Printmaking in the 21st Century by University of Tennessee Alumni, Ewing Gallery of Art and
Architecture, University of Tennessee, Knoxville, TN

Jacques Andre, Jean-Pascal Flavien, Monique van Genderen, Ola Rindal, Josh Smith, Kelley Walker,
Galerie Catherine Bastide, Brussels, Belgium

Josh Smith/Dieter Roth, presented by Galerie Eva Presenhuber, Cahiers d’Art, Paris, France

My wife does the dishes, I do the revolution, Kimmerich, Berlin, Germany

The Now Forever, Basilica Hudson, Hudson, NY

The Shell (Landscapes, Portraits & Shapes), Almine Rech Gallery, Paris, France

Unfixed: New Painting, Arizona State University Art Museum, Tempe, AZ

Winters—Smith, Casamadre Arte Contemporanea, Naples, Italy

Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland

2014

The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York, NY

ART Fahrenheit 451: Sailing into the Sea of Oblivion, Yokohama Trienniale 2014, Yokohama, Japan

Artist’s Artists: James Siena, Josh Smith, and Charline von Heyl Collect Prints, International Print Center New York, New York, NY

Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts,
Foundation for Contemporary Arts, New York, NY

BASH: An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, NY

Dallas Biennial 2014: Josh Smith + Jose Lerma, Oliver Francis Gallery, Dallas, TX

Displayed, Anton Kern Gallery, New York, NY

Fire! Venus over Manhattan, New York, NY

Home/Sculpture, Massimo De Carlo, London, England

Hypothesis for an Exhibition, Dominique Lévy Gallery, New York, NY

The Image Is beside the Point, Pierot the Fool, New York, NY

Mirage: Alex Israel & Josh Smith, Reena Spaulings Fine Art, New York, NY

Pouring It On, Herter Art Gallery, University of Massachusetts, Amherst, MA

Speaking through Paint: Hans Hofmann’s Legacy Today, Lori Bookstein Fine Art, New York, NY

Stay in Love, Laurel Gitlen, New York, NY

2013

39 Great Jones, Galerie Eva Presenhuber, Zurich, Switzerland

Abstract Generation: Now in Print, Museum of Modern Art, New York, NY

DSM-V, The Future Moynihan Station, New York, NY

For the Time Being: Wall Paintings Painted Walls, Kunsthalle Bielefeld, Bielefeld, Germany

Get Out of Town, Johan Berggren Gallery, Malmö, Sweden

Love of Technology, Museum of Contemporary Art, North Miami, Miami, FL

Morphology of the Print, Lehman College Art Gallery, Bronx, NY

Passive Aggressive, Massimo De Carlo, Milan, Italy

Station to Station: A Nomadic Happening, Brooklyn, NY; Pittsburgh, PA; Chicago, IL; St.
Paul/Minneapolis, MN; Santa Fe, NM; Winslow, AZ; Barstow, CA; Los Angeles, CA; San Francisco Bay Area, CA

The Writing Is on the Wall, Jonathan Viner Gallery, Margate, England

White Collar Crimes, Acquavella Galleries, New York, NY

Xerography, firstsite, Colchester, England

2012

Bitume et Astre Dansent, Parfois, dans la Pure Peur, Galerie Eva Presenhuber, Paris, France

Concatenation: Signature, Seriality, Painting, Blain|Southern, London, England

Everyday Abstract—Abstract Everyday, James Cohan Gallery, New York, NY

Idealizing the Imaginary: Illusion and Invention in Contemporary Painting, Oakland University Art Gallery, Rochester, MI

Jessica Dickinson, Liam Everett, Alex Olson, Josh Smith, Garth Weiser, Altman Siegel, San Francisco, CA

Joe Bradley, Nicolas Deshayes, Eddie Peake, Dan Rees, Josh Smith, Oscar Tuazon: Surface to Surface,
Fortescue Avenue/Jonathan Viner Gallery, London, England

Josh Smith, Franz West, Neon Parc, Melbourne, Australia

Mix/Remix, Luhring Augustine, New York, NY
Painting Now, Galerie Eva Presenhuber, Zurich, Switzerland

Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art Chicago, Chicago, IL

Print/Out: 20 Years in Print, Museum of Modern Art, New York, NY

The Feverish Library, Friedrich Petzel Gallery, New York, NY

The Painting Factory: Abstraction after Andy Warhol, Museum of Contemporary Art, Los Angeles, CA

The Slide Show, FRAC Auvergne, Clermont-Ferrand, France

2011

Accrochage, Carolina Nitsch Project Room, New York, NY

After Images, Musée Juif de Belgique / Joods Museum van België, Brussels, Belgium

Don’t Do It, Galerie Bruno Bischofberger, Zurich, Switzerland

Le printemps de Septembre, Toulouse, France

Painting . . . EXPANDED, Espacio 1414, Santurce, Puerto Rico

Ray’s a Laugh, Half Gallery, New York, NY

Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland

The 54th International Art Exhibition: ILLUMInations, Venice Biennale, Venice, Italy

The Perfect Man Show II, White Columns, New York, NY

Untitled (Painting), Luhring Augustine, New York, NY

Yotta Paintings, Massimo De Carlo, Milan, Italy

2010

2000–2010, Galerie Catherine Bastide, Brussels, Belgium

About Us, König Galerie, Berlin, Germany

Alpha Omega: Works from the Dakis Joannou Collection, DESTE Foundation for Contemporary Art,
Athens, Greece

Barbaric Freedom, Simon Lee Gallery, London, England

Rise of the Rad, Torrance Art Museum, Torrance, CA

Signatures, Sutton Lane, Paris, France

Twenty Five, Luhring Augustine, New York, NY

When Do You See Yourself in Ten Years? Standard (Oslo), Oslo, Norway

You Were There, Rachel Uffner Gallery, New York, NY

2009

Sophie von Hellermann & Josh Smith, Museum Dhondt-Dhaenens, Deurle, Belgium; Consortium, Dijon, France

Abstractionists Unite! Who Give You Just Enough to Last a Lifetime, Glendale College Art Gallery,
Glendale, CA

Access All Areas, Galerie Max Hetzler, Berlin, Germany

Cave Painting, PSM, Berlin, Germany

Chapter Three: The Wall of the Sky, the Wall of the Eye, About Change, Collection Stiftung, Berlin, Germany

Fax, Drawing Center, New York, NY; The Contemporary Museum, Baltimore, MD; Torrance Art Museum, Torrance, CA; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, SUNY Cortland, Cortland, NY; Museo de Arte Carrillo Gil, Mexico City, Mexico; Para Site, Hong Kong

The Generational: Younger than Jesus, New Museum, New York, NY

Jettison: New Ideas in Abstraction, Trahern Gallery, Austin Peay State University, Clarksville, TN

Jonathan Viner’s Furniture Show: Donald Judd, Christian Mergert, Jorge Pardo, Giles Round, Josh Smith, Oscar Tuazon, Nicole Wermers, Franz West, Rachel Whiteread and Sophie von Hellermann, Jonathan Viner, London, England

Learn to Read Art: A History of Printed Matter, P.S. 1 Contemporary Art Center, New York, NY

The Living and the Dead, Gavin Brown’s enterprise, New York, NY

My Summer Show, Galerie Lelong, New York, NY

The Perpetual Dialogue, Andrea Rosen Gallery, New York, NY

Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX

Summer Show, SAKS, Geneva, Switzerland

That’s Just the Way It Is, Marvelli Gallery, New York, NY

Top 10 Allegories, Francesca Pia Galerie, Zurich, Switzerland

We Are Sun-Kissed and Snow-Blind, Galerie Patrick Seguin, Paris, France

A Wild Night and a New Road, Altman Siegel, San Francisco, CA

2008

Accidental Modernism, Leslie Tonkonow Artworks + Projects, New York, NY

Black and White Exhibition: Dean Hughes, Nadira Husain, Andrei Koschmieder, Josh Smith, Anne Spieir, Neue Alte Brücke, Frankfurt, Germany

Book/Shelf, Museum of Modern Art, New York, NY

Champion Zero, Rental, New York, NY

Fair Market, Rental, New York, NY

Meet Me around the Corner—Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway

Murder Letters, Galeria Filomena Soares, Lisbon, Portugal

Painting Now and Forever, Part II, Greene Naftali Gallery/ Matthew Marks Gallery, New York, NY

The Peanut Gallery, Journal Gallery, New York, NY

Standard Sizes, Andrew Kreps Gallery, New York, NY

2007

Aleatoric Contracts, Standard (Oslo), Oslo, Norway

Beneath the Underdog (or One Unopened Packet of Cigarettes), Gagosian Gallery, New York, NY

Biennale de Lyon: 00s, The History of a Decade That Has Not Yet Been Named, La Sucrière, Lyon, France

Conditions of Display, Locust Projects, Miami, FL

Der Ficker: Thea Djordjadze, Sophie von Hellermann, Mick Peter, Tamuna Sirbiladze, Josh Smith, Emily Wardill and Franz West, Fortescue Avenue/Jonathan Viner Gallery, London, England

A Fair Show: Slang and Cool Orthodoxy, Massimo De Carlo, Milan, Italy

A Few Artist’s Books: Roma Publications and Christoph Keller, ProjecteSD, Barcelona, Spain

For the People of Paris, Sutton Lane, Paris, France

Genesis I’m Sorry, Greene Naftali Gallery, New York, NY

Irreversible, Stellan Holm Gallery, New York, NY

Last Attraction Next Exit, Max Wigram Gallery, London, England

Malerei und Affekt, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria

Michèle Didier Project—Part II: Christopher Wool and Josh Smith, Galerie Christophe Daviet-Thery,
Paris, France

Off Modern, Le Confort Moderne, Poitiers, France

Painting as Fact—Fact as Fiction, de Pury & Luxembourg, Zurich, Switzerland

The Third Mind: Carte Blanche a Ugo Rondinone, Palais de Tokyo, Paris, France

What Glue Do You Use? Atelier Cardenas Bellanger, Paris, France

what we do is secret, Blancpain Art Contemporain, Geneva, Switzerland

2006

Bill Saylor, Josh Smith, Hiromi Yoshii Tokyo, Tokyo, Japan

Color Aside, Luhring Augustine, New York, NY

The Dimes of March, Reena Spaulings Fine Art, New York, NY

Gedi Sibony and Josh Smith, Harris Lieberman, New York, NY

Hold That Elevator, Julia C. Butridge Gallery, Dougherty Arts Center, Austin, TX

In Dialogue, Elizabeth Dee, New York, NY

Paper, Skestos Gabriele Gallery, Chicago, IL

Reena Spaulings Fine Art, New York, NY

Slow Burn, Galerie Edward Mitterrand, Geneva, Switzerland

Take One, Museum of Fine Arts Houston, Houston, TX

Under Pressure, Art:Concept, Paris, France

USA Today, Royal Academy of Arts, London, England; State Hermitage Museum, St. Petersburg,
Russia

Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Kunsthalle Zürich, Zurich, Switzerland

When the Revolution Comes, Kathleen Cullen Fine Arts, New York, NY

2005

Uncertain States of America, Astrup Fearnley Museet, Oslo, Norway; Serpentine Gallery, London,
England; Galerie Rudolfinum, Prague, Czech Republic

Helter Skelter, Capsule Gallery, New York, NY

I’m a Child of Divorce, Give Me a Break, Cynthia Broan Gallery, New York, NY

In Practice Fall ’05, SculptureCenter, Long Island City, NY

Interstate, Nicole Klagsbrun Gallery, New York, NY

KIOSK: Modes of Multiplication and Liam Gillick: Edgar Schmitz, Institute of Contemporary Arts, London, England

Lesser New York, Fia Backström Production, Brooklyn, NY

Marc Selwyn Fine Art, Los Angeles, CA

New York’s Finest, CANADA, New York, NY

New York Twice, Air de Paris, Paris, France

Paintings, Susanne Hilberry Gallery, Ferndale, MI

Paper, Nicole Klagsbrun Gallery, New York, NY

POST MoDERN, Greene Naftali Gallery, New York, NY

Ruptures des évidences, Le Confort Moderne, Poitiers, France

Situational Prosthetics, New Langton Arts, San Francisco, CA

Sophie von Hellerman and Josh Smith: Collaborations, Greene Naftali Gallery, New York, NY

2004

Collection (or, How I Spent a Year), P.S. 1 Contemporary Art Center, New York, NY

East Village ASU, B-Side Gallery, New York, NY

Me, Myself, and I, Schmidt Center Gallery, Florida Atlantic University, Boca Raton, FL

Repetition, Hudson Valley Center for Contemporary Art, Peekskill, NY
Rimbaud, I-20 Gallery, New York, NY

So Few Opportunities, So Many Mistakes, Champion Fine Art, New York, NY

2003

25th Ljubljana Graphic Arts Biennial, Ljubljana, Slovenia

Mighty Graphitey, Feature Inc., New York, NY

2002

Copy Books, Roth Horowitz, New York, NY

2000

Columbus Museum of Art, Columbus, OH

New Work: Abstract Painting, Hosfelt Gallery, San Francisco, CA

1999

Mr. Fascination, Threadwaxing Space, New York, NY

1998

Remix, Team Gallery, New York, NY

Untitled, 2011

Acrylic on canvas
102 1⁄2 x 134 1⁄2 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

Untitled, 2011 Untitled, 2011
Untitled, 2011 Untitled, 2011
Untitled, 2011 Untitled, 2011

  • Installation view
  • Installation view
  • Installation view

  • Installation view
  • Installation view
  • Installation view

Each work implies that there are others. There is a painting before, and there will be one after.

– Josh Smith

  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011

Josh's dinosaur carries the threat of figurative painting, creating the flesh of a monster, a huge body stretched out against a blackened sky. Yellow gold fumes rising behind his tiny, clawed hands and giant head; the volcano in the background exploding and raining down little red circles that bedizen the darkness and the dinosaur. This painterly zoosh in the background --it's blood, it's flesh, it's semen. Virility, productivity, fecundity, circulation of capital, flows of paint and desire. The giant Tyrannosaurus becomes an allegory for the death of painting, along with Josh;'s human skeletons, handprints, fish, leaves, and all the conventions of high school art classes, which populate the American Dream.

– David Rimanelli

Tyrannosaurus Rex, 2011

Oil and acrylic on canvas
360 x 360 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

  • Installation view
  • Installation view
  • Installation view

Untitled, 2011

Acrylic on canvas
240 x 240 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

Untitled, 2011

Mixed media on cardboard (20 panels)
240 x 240 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

Untitled, 2011 (Detail) Untitled, 2011 (Detail)
Untitled, 2011 (Detail) Untitled, 2011 (Detail)
Untitled, 2011 (Detail) Untitled, 2011 (Detail)

Untitled, 2011

Acrylic on canvas
120 x 96 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

Untitled, 2011

Mixed media on cardboard (20 panels)
240 x 240 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

Untitled, 2011 (Detail) Untitled, 2011 (Detail)
Untitled, 2011 (Detail) Untitled, 2011 (Detail)
Untitled, 2011 (Detail) Untitled, 2011 (Detail)

Installation view

Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011
  • Untitled, 2011

Installation view

Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

Untitled, 2011

Acrylic on canvas
166 x 90 inches
Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York

  • Installation view
  • Installation view
  • Installation view

Installation view

Photography: Farzad Owrang
© Josh Smith, Courtesy of the artist and Luhring Augustine, New York