The Brant Foundation
The Brant Foundation has a mission to promote education and appreciation of contemporary art and design, by making works available to institutions and individuals for scholarly study and examination.
The Brant Foundation’s loan program, established in 1996, plays a crucial role in our mission to promote education and appreciation of contemporary art. The Foundation’s lending program increases public accessibility to the collection’s paramount pieces – broadening visibility to contemporary works critical to the history of art and its scholarship. Each year, the Foundation lends artwork to exhibiting venues worldwide, proudly supporting artists and art institutions around the globe. Please contact Allison Brant for more information about our loan program.
Additionally, The Brant Foundation offers a multitude of ongoing programs and events aimed to enhance and enrich the public’s experience with contemporary art. These programs are designed to facilitate art education, foster creative and scholarly development, and provide unique opportunities for anyone with an interest in contemporary art. Click here to learn more about our programs.
Greenwich, CT 06831
The monumental Problem Paintings, making use of headshots as backgrounds, colored and enlarged, then obstructed by silkscreened still life images of fruits and vegetables, propose a clash of representational systems that is both convulsive and darkly humorous.
In the series of Phantom Paintings: Aluminum (2015), Silicone (2015), Barium (2016), Chlorine (2015), Lead & Tin (2016), and Drained (2016), the background of each painting is a photographic image of Fischer’s own face or collaged elements thereof, overlaid with silkscreened marks that are based on real painted or drawn gestural compositions. Like the Problem Paintings, these layered images provide a fresh and subversive view through the clash of representational systems and different cosmic orders.
In the library there are four new paintings created digitally on an iPad, representing imaginary environments, artworks in domestic settings, and surreal compositions. On a screen, as opposed to paper or canvas, Fischer is able to paint with light itself—moving illuminated pixels, reflecting on the subtle atmospheric changes across day, night, and seasons.